雷姆·库哈斯

普利兹克建筑奖得主

OMA（大都会）建筑事务所及AMO创始人

哈佛大学教授

一、竞赛题目/TOPIC

乡村困境——新乡村规划

COUNTRYSIDE DILEMMAS—— NEW RURAL PLANNING

二、题目解析/INTERPRETATION

云南翁丁古寨于2006年被列入重点乡村文化遗产保护名录。然而牛年伊始，一场大火烧毁了整个村庄。翁丁的火灾暴露了更为本质的困境，远非重建村庄的茅草屋顶和精美的木质建筑那么简单。正如我带领团队在世界许多地方调研时所发现的。我们正身处一个十字路口，需要思考中国乃至世界乡村的未来何去何从。

The advent of the year of the Ox brought destruction to the ancient village of Wongding in Yunnan, which has been recognized as important cultural countryside heritage since 2006. The fire that raged through Wongding however exposed more fundamental dilemmas that go beyond replacing the village’s thatched roof tops and intricate wood constructions, which my team and I have been observing in many places in the world for some time now. It coincides with an important crossroads in thinking about the future of the countryside in China and beyond.

中国的乡村建设主要依靠自上而下的产业规划。和世界许多其他地方一样，这样的建设方式给乡村带了现代化以及显著的生活水平提升。但与此同时，传统生活方式中积淀的历史、自然和文化底蕴也遭到一定程度的破坏。自二十世纪70年代中国推行扶贫政策，直到2020年在全国范围、特别是在像翁丁古寨及其周边这样初步完成的地区，已经重塑了乡村的样貌。在实现这一重大里程碑的重要历史时刻，需要我们反思当初的工作方法，进一步思考这一具有全球性的问题：乡村规划未来的路该怎么走？

China’s rural development has been largely based on top-down industrial planning. Like in many places in the world this brought modernity to the countryside and offered dramatic improvements in the quality of life for many. It however also meant that historical, natural, and cultural quality concentrated in age old ways of living suffered. In 2020 the unprecedented anti-poverty campaigns in China that reshaped countrysides since the 1970s across the nation and specifically areas not unlike those we find in and around Wongding came to a first completion. This important milestone marks an important moment for reflection on this initial way of working not only for China: it demands new considerations on the future of planning the countryside.

在这场斗争中，中国并非孤军奋战。在“乡村·未来”展览及同名书籍中，我与 AMO团队以及一大批专家合作展示了世界各地的建筑是如何极大地脱离了乡村。从俄罗斯迫在眉睫的环境灾难、西方对笛卡尔主义刻板形式的集体坚守，到历史文化保护以及不断增加的移民危机所带来的更严重的全球性后果，我们希望表明关于乡村的思考和规划对于人类共同的未来从未如此重要。

China is not alone in this struggle. In the exhibition and book Countryside. The Future I showed with the AMO team and a large group of experts how far architecture has drifted from the countryside across the globe. From looming environmental disaster in Russia, the firm corporate grip of ruthless forms of Cartesianism in the West, to the larger global consequences of preservation and growing migration crises, we show that thinking and planning the countryside has never been more important for a shared future.

以往世界各地大范围的乡村规划中主要采用的是以产业和物质为基础、或被狭隘的市场利益驱使的规划方法，这两种方式均亟待革新。我们也看到，传统的遗产界定方式是如何在包装成旅游地的压力下崩溃的，导致我们所认为的真实的东西被掏空。而新的里程碑性质不同，它结合了雄心勃勃的可持续发展与乡村振兴等新目标，因而需要采用那些能认识到乡村生活品质的新做法。现实的环境和对更可持续的生活方式的追求，都促使我们重新思考我们与自然和文化的关系。很明显，新一代年轻人希望与乡村展开新形式的互动。非正式的工具和平台，如中国的农村淘宝、乡村社交媒体平台如“快手”，以及在撒哈拉以南地区运用的小型技术和金融插件，为规划、构建和体验乡村开启了新途径：提供了积极的城市与乡村混和的新型复合生活方式。除了方便和舒适，“真实”体验和聚焦所形成的真实性是最重要的。

The old way of planning large swaths of countryside around the world was largely based on an industrial and material-based planning method or the narrow interests of markets. Both are up for reinvention. We also witness how conventional ways of defining heritage are buckling under pressure of packaged tourism, generating a hollowing of what we consider authentic. Combined with the new ambitious sustainability and rural revitalization goals, these are new milestones of a different nature, which need a new approach in it recognizing the quality of village life. Both the environment and the need for more sustainable ways of living urge us to rethink our relationships with nature and culture. It is also clear that a new generation wants a different form of interaction with the countryside. Informal tools and platforms like Chinese Rural Taobao, rural social media platform like Kwaisho, and small scaled technological and financial add-ons used in the Sub-Sahara, offer the start of a new toolkit for planning, framing, and experiencing the countryside: offering hybrid active lifestyles where countryside and urban activity generate a new blended life. Besides convenience and comfort, the authenticity of a ‘real’ experience and focus is paramount.

乡村正从城市的“服务提供者”向着更深刻的角色发展，从根本上挑战建筑行业的范式，没有相关建筑学内容可供参考，乡村环境是对综合能力的检验，需要经济、基础设施、新旧技术和文化统筹协调，从而创造新体验。仅靠传统的工艺，无法实现我们想要的未来。

The countryside fundamentally challenges the paradigm of the architectural profession by requiring a more deeply ingrained role compared to being a city’s ‘service provider’. There might be no such thing as architecture related-information to fall back to. Rural context requires a skills set where economy, infrastructure, new and old technology, and culture have to work in unison, in order to generate new experiences. Solely mastering old arts and crafts will not bring the future that is needed.

乡村工作也在挑战固有的建筑规划概念。由于目前乡村的诸多问题无法单纯依赖建造解决，它必须在将新思想、新要求、新方法和新参照更有效地结合和空间转译的基础上进行建设，而不是只靠正统的传统规划。在这样的背景下，被大火吞噬的翁丁古寨以及世界各地的其它乡村，应以有21世纪特色的新方式，通过重新思考规划、遗产、审美、价值、经济、发展和目标，实现更深远的乡村振兴。

Work in the countryside also challenges the notion of fixed construction plans. As many of the issues in the countryside are not exclusively solvable by construction alone, it must build more on an effective combination and spatial translation of new ideas, desires, methods and reference points rather than the orthodoxies of traditional planning. Within this context, the burning of Wongding, and all its cousins around the globe, should lead to a broader rejuvenation of the village in a new and striking 21st century way of rethinking planning, heritage, beauty, value, economy, development, and purpose.

我们邀请你提出设想或提交最好的案例研究范本，这些成果需要挑战现有的规划传统，并汇集最相关的、最有趣的可能性，对乡村的未来提出一个全新的、从根本上有所改变的理念。

We ask you to submit these ideas and or the best case studies examples that challenge existing planning tradition to collectively build a library of the most relevant and interesting possibilities to give a new fundamentally revised view of the future of the countryside.

三、设计要求/REQUIREMENT

· 成果应该提交在乡村开展的新实验性规划及方案，方案不局限于中国而是面向全球的乡村。

    Projects should propose new experimental planning formats and proposals in the countryside. These proposals are not limited to China and invite all countrysides across the globe.

· 提交的设计方案应体现地方社区的参与以及社会、经济和新文化元素的融入。最理想的是你的设计会直接与地方合作。

  The plans should show engagement with and involvement of local communities with a social, economic, and new cultural component. Ideally you work directly with locals.

· 成果应以新颖的方式（非噱头）利用新（数字）基础设施，并需要与大众（当代乡村）文化有关联。

  Projects should make use of new (digital) infrastructures in a novel way, not as a gimmick and have a relationship with popular (contemporary countryside) culture.

· 成果应重点思考自身经济和生态的可持续性，并解决这一问题。

  Projects should strongly consider their own economic and ecological sustainability and address this.

· 汇报形式：一个时长不超过2分钟的影片和三张A1展板。影片和展板格式不限。方案最好醒目突出、新颖有趣、振奋人心、引人注目。

  Format for presentation is a movie no longer than 2:00 minutes and three A1 boards. The movie and boards have a free format. Make your projects stick out, striking, fresh, exciting and engaging.

· 如有需要，可使用平立剖面图和效果图。

  Plans, sections, elevations and renderings can be used when relevant.

· 影片不能出现暴露个人身份信息的内容。提交内容须配英文字幕。

  The movie is not allowed to show personally identifiable information. Your submission has to be subtitled in English.

本题目解析及视频由Rem Koolhaas, Stephan Petermann, Dongmei Yao共同完成

（关于翁丁古寨的更多资料请见霍普杯官网下载界面）

四、奖项设置/AWARD

一等奖1组，获奖证书+奖金10万元人民币（含税）；

二等奖3组，获奖证书+奖金各3万元人民币（含税）；

三等奖8组，获奖证书+奖金各1万元人民币（含税）；

优秀奖若干名，颁发获奖证书

优秀指导教师奖若干名，颁发获奖证书；

1st Prize (1 team) :Certificate and 100,000 RMB (before tax);

2nd Prize (3 teams) :Certificate and 30,000 RMB (before tax);

3rd Prize (8 teams) :Certificate and 10,000 RMB (before tax);

Honorable Mentions (several teams):Certificate;

Advisors of prize-winning projects will also be awarded with certificates.

五、组织结构/ORGANIZATION

国际主办

国际建筑师协会（UIA）

主办单位

天津大学建筑学院

《城市·环境·设计》（UED）杂志社

联合主办机构

中央美术学院建筑学院

指导机构

全国高等学校建筑学专业教育评估委员会

中国美术家协会建筑艺术委员会

独家冠名

上海霍普建筑设计事务所股份有限公司

协办单位

清华大学建筑学院

同济大学建筑与城市规划学院

东南大学建筑学院

华南理工大学建筑学院

西安建筑科技大学建筑学院

重庆大学建筑城规学院

哈尔滨工业大学建筑学院

六、报名参赛/REGISTRATION

评委会主席：雷姆·库哈斯

评委会执行主席：崔愷

报名截止时间

2021年9月20日24:00（北京时间）

作品提交截止时间

2021年10月10日24:00（北京时间）

竞赛提交邮箱：hypcup@uedmagazine.net

报名方式

扫描二维码登录霍普杯官方网站：http://HYPCUP.UEDMAGAZINE.NET注册报名

Jury Chairman:Rem Koolhaas

Executive Jury Chairman:CUI Kai

Registration Deadline

24:00(GMT+8) September 20th,2021

Submission Deadline

24:00(GMT+8) October 10th,2021

Submission Email:hypcup@uedmagazine.net

Register Now！

Scan QR code to log in to the official website of UIA-HYP Cup:http://HYPCUP.UEDMAGAZINE.NET

七、往届回顾/REVIEW

沃尔夫·德·普瑞克斯

Wolf D. Prix

奥地利建筑设计大师，蓝天组建筑事务所联合创始人

2020

城市之谜 & 迷之城市

City Puzzle & Puzzle City

贝娜蒂塔·塔格利亚布

Benedetta Tagliabue

普利兹克奖评委，EMBT建筑事务所创始人、首席建筑师

2019

乐活空间-融合建筑和环境

Happy Spaces – Integrating Architecture And Landscape

帕特里克·舒马赫

Patrik Schumacher

扎哈·哈迪德建筑师事务所总裁

2018

城市共生：定制化社区模块

Customizing Modules for Community

让·努维尔

Jean Nouvel

法国当代著名建筑师，2008年普利兹克奖得主

2017

改变与重塑（夺回）

Transformation and Reconquest

伯纳德·屈米

Bernard Tschumi

著名建筑大师，伯纳德·屈米事务所创始人

2016

概念与标示

Concept and Notation

曼哈德·冯·格康

Meinhard von Gerkan

著名建筑大师，gmp事务所创始合伙人

2015

演变——多样统一性中的地域、传统与现代

Transformation: Place, Tradition and Modernism

in Conceptual Unity and Diversity 

丹尼尔·里伯斯金

Daniel Libeskind

国际著名建筑大师，Daniel Libeskind事务所创始人

2014

出乎意料的城市

Unexpected City

多米尼克·佩罗

Dominique Perrault

法国著名建筑师，多米尼克·佩罗建筑事务所主持建筑师

2013

建筑必须消失

The Disappearance of Architectures

迈克尔·霍普金斯

Michael Hopkins

大英帝国勋章获得者，英国皇家院士，霍普金斯建筑师事务所创始人

2012

文化综合体

Cultural Complex

八、关于霍普杯/ABOUT UIA-HYP CUP

建筑进化的过程在于对现状问题的反思以及对所处时代的回应。建筑与城市、建筑与自然环境的关系问题一直是建筑师面临的课题。在支离破碎的城市、无序的乡村里寻找与构建具有场所感的人性化空间；在信息时代，体现与生态环境相协调的可持续发展的建筑理念；在建筑学教育体系中，将设计理念与扎实的建筑学功底有效地结合，是UIA-霍普杯国际大学生建筑设计竞赛秉承的主旨。竞赛要求参与者不断追问与探索建筑发展之路，探讨当代人对建筑与环境的复杂性需求，关注特定场所及其中的事件，构建具有生命的城市与建筑空间，并寻求适宜技术使方案具有可实施性。

“UIA-霍普杯国际大学生建筑设计竞赛”始于2012年，由国际建筑师协会（UIA）任国际主办，天津大学建筑学院、《城市·环境·设计》（UED）杂志社任主办单位，是由霍普股份独家赞助的面向国际建筑高校大学生的年度建筑设计竞赛，已成功举办九届。每届竞赛的评委会主席由一名国际著名建筑大师担任，竞赛评委为来自国内外的著名建筑师及学院院长。相较于建筑教育循序渐进的基础性培养，设计竞赛引导学生以全新的方式进行思考以提高解决问题的综合能力，同时也成为发现建筑精英的推手。

Architecture in Transformation should respond to contemporary challenges and changes. What concerns us primarily is the relationship between architecture and city, as well as the one between architecture and natural environment. The competition aims at searching and constructing human space with a Spirit of Place in the increasingly fragmented cities and unordered villages, exploring environment-friendly and sustainable ideas in the information age, and integrating creative concepts with solid basic skills in architectural design. The competition requires the participants to make detailed insights and reflections on architectural development, explore complicated demands of the people nowadays for architecture and environment, pay attention to specific sites and the events happening in them, and configure viable and dynamic urban and architectural spaces, at the same time seek suitable techniques to guarantee the possibility of implementation of the project.

“UIA-HYP Cup International Student Competition in Architectural Design” was initiated in 2012. It is internationally sponsored by the Union International des Architects (UIA), organized by the School of Architecture, Tianjin University and Urban Environment Design (UED) Magazine. Shanghai HYP-ARCH Architectural Design Consultant Co. Ltd. is the Exclusive Naming Sponsor. It is an annual architectural competition which has been successfully held for 9 years. Each year, the UIA-HYP Cup is chaired by an internationally renowned architectural master, and the jury panel is selected from among the world's most outstanding architects and deans from schools of architecture. To boost the architectural education which mainly focuses on basic skill training in its conventional and progressive system, UIA-HYP Cup International Student Competition takes the role as an external platform for student to embrace a brand new thinking approach in order to improve their comprehensive problem solving skill, meanwhile it is also some kind of headhunter for discovering emerging elite architects.

竞赛的锣鼓已经敲响，

来自国内外的评委大师已经准备就绪，

你和小伙伴们还等什么，快快行动起来，

扫描二维码，

登录霍普杯官方网站：

http://HYPCUP.UEDMAGAZINE.NET

注册报名吧!